Nevertheless, it could be easily suggested that Debord’s statements are still relevant to the contemporary context, when technologies that constitute specificity of media are significantly advanced. This assumption could be explained at least by the fact that his basic positions presented in the well-recognized book The Society of the Spectacle (1967) obtain both critical and appreciative perceptions, which in fact are going to be discussed further. As far as Guy Debord is concerned in particular, his ideas definitely refer to a potential list of conceptions that need to be reconsidered today. Even though it is not quite a widespread attitude fulfilled in practice, analysing whether certain theoretical legacy of the past could be regarded as appropriate and valuable to the contemporary times is without any doubt appears to be a procedure that might provide one with productive outcomes.
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